Fungal Architecture

This poem was written for the Hot Poets participation project, linking poets & scientists together to imagine a better possible future. During a six-week programme a group of poets were tasked to research the spark of an idea with a positive environmental impact, then connect with a scientist working in that area to find out more. While researching mycelium and mycorrhizal fungi I came across Andy Adamatzky, Professor of Unconventional Computing at UWE, in my hometown of Bristol. I knew my poem had to be about his fascinating and mind-blowing work with fungal computers and the Fungal Architectures research project.

Fungal Architecture

I’m dreaming of sipping tea
in 2053
dirt under my fingernails
from digging in the musty shroomy earth
nutritious leafy loam.

Rain pitters on the window
and my sensory home knows
warms up just a little
dims the light down as I doze.

This building has mycelium ceilings –
tiny interwoven filaments
fungal threads that twine in tree roots
and through my mushroom walls.

Mycelium is free and shoots up fast
this house was bloomed in just two weeks
grown in a single monolithic piece
from fungi bound on frames of wasted cellulose –
discarded food, biomass
banana skins, coffee grounds, orange peel
and other stuff too tough to eat.

My clean home breathes, body warm
and nestles in within the trees –
smells of creamy stroganoff
I breathe it in deliciously.
Nearly sentient, this wall can feel my touch
when I lean my palm upon its velvet skin.
On the edge of thinking
my unconventional shroom computer
not quite conscious, makes smart decisions
senses when my hormones are out of whack or I am full of stress
filters air, nourishes, adjusts my meds.

We can quickly grow more homes
sustainable, living suedey rooms that gently biodegrade –
no chems, no trails – just slip away
decompose beneath our feet
when the need has gone.

Outside, wild boars forage at the tree roots
for truffles which are
talking to their mycorrhizal cousins.
My home is grown on mounds of
yesterday’s land, filling our futures
with soft-edged places
symbiotic relationships
within these mycelium walls.

Poetry as mindfulness, poetry as noticing

The state of ‘poet’ currently feels like a perpetual state of noticing – noticing what I see and naming it, noticing what I feel and naming it, noticing thoughts and following them until they dwindle or reach a conclusion or until I notice something else.

The noticing is about ‘being here’, being mindful of the moment I am in and how it feels. I am doing this from time to time, when I can, but it is certainly not a constant state of being – my mind wanders; I realise I have missed crucial plot points or conversations, or that I have been paddling about in an imagined future, or misremembered past. And sometimes I become aware that this is the case.

I enjoy noticing thoughts I’ve been having all week, or for months, sometimes for years – finally noticing them enough to articulate them in words, or into an image or feeling made from words. I find external prompts and exercises in workshops and courses are often a great way into these for me – also an amazing way into fantastic worlds and creative scenarios my brain makes for me like a ribbon unravelling, without any prior notice.

A while ago I was writing reviews of shows and gigs for South Bristol Voice and found this to be very useful practice for noticing – from neighbourhood pantos and community theatre to folk gigs, to full-on theatre performances and Shakespeare at the Tobacco Factory, to touring musicals and the Welsh National Opera at Bristol Hippodrome (spoiler – opera doesn’t do it for me) – and I got better at it the more I did it, noticing music and how my body reacted, noticing the judgments that were happening under the surface that before I might not have been conscious of, and trying to capture an honesty and clarity about it all.

Mindfulness as a route into clowning and fooling with Holly Stoppit and Franki Anderson has been a crucial part of developing my noticing skills. Using the breath and other mindfulness techniques to get in a headspace, taking the time to register and recognise my thoughts and feelings, and physical sensations, in the moment –- and acting on them – voicing them – moving into them.

It’s a raising to consciousness of all the things that are going on – how does my body feel, react? Noticing me, my, mine – and also observing out – like a painter who captures scenes that may not be considered beautiful – or word sketching of nature and non-nature, reportage of the world around me.

How can I capture these things that have been captured before, through my voice, my senses and mind?

– light on water
– fluffy white clouds
– vistas
– the beauty of nature
– the love of family and friends
– the down days

I have to start by really noticing how they make me feel and following the threads of thoughts that arise.

Here are some of the daily poems that I’ve written and posted on @FridayIsPoetsDay – some of the ones that come particularly from moments of noticing.